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Qool DJ Marv Mixes, Concepts & Live Sets
Premiere Party for the HBO Mini Series Show Me A Hero | Qool DJ Marv LIVE at the New York Times Center | August 11 2015
August 14, 2015 01:40 AM PDT
Premiere Party for the HBO Mini Series Show Me A Hero | Qool DJ Marv LIVE at the New York Times Center | August 11 2015
Thank you HBO!
Homeless - Paul Simon with Ladysmith Black Mambazo
Qool Marv in the atmosphere http://www.startraksphoto.com/site/Gallery/Gallery.aspx?tb=0&ev=7ec86f4ad98&ps=40&ix=0&ct=Entertainment&tm=3High On The Verve at the Soho House Qool Marv's 24th Re-Vision | August 4 2015 | Original Recipie | Buttamilk | In The House
August 14, 2015 12:52 AM PDT
High On The Verve at the Soho House Qool Marv's 24th Re-Vision | August 4 2015 | Original Recipie | Buttamilk | In The House
La Valse D'amelie - Yann Tierson
Keep On MovingHigh On The Verve at the Soho House Qool Marv's 23rd Re-Vision | July 28 2015 | Love Is Where You Find It | The Mirror
August 13, 2015 11:50 PM PDT
High On The Verve at the Soho House Qool Marv's 23rd Re-Vision | July 28 2015 | Love Is Where You Find It | The Mirror
Love Is Where You Find It / The Mirror
August 13, 2015 10:45 PM PDT
High On The Verve at the Soho House Qool Marv's 22nd Re-Vision | July 28 2015 | People With Their Heads Up To The Sky | Still
July 16, 2015 02:39 PM PDT
High On The Verve at the Soho House Qool Marv's 21st Re-Vision - July 13 2015 - Happy Monday | Thruway to Skyway 80
My sonny boy was celebrating his birthday this week, on a Tuesday, so I asked to play on another day...
Happy that it turned out to be a cool summer Monday night. Off night for me, so I play free...the style 80s.High On The Verve at the Soho House Qool Marv's 20th Re-Vision - May 26 2015 - Schmooze |Twilight to Moonlight
June 04, 2015 09:37 AM PDT
High On The Verve at the Soho House Qool Marv's 20th Re-Vision - May 26 2015 - Schmooze |Twilight to Moonlight
Smooth ride on love's rollercoaster. Not too high, not too low, never too fast yet not exactly slow. You can put your hands up and enjoy - the torque keeps you safe in sound.4UpLIFT2 aka Uplift v2
May 22, 2015 09:23 PM PDT
4UpLIFT2 aka Uplift v2
In The Air - Silent Poets
Sequel to 4UpLift1 http://djqoolmarvsounds.podomatic.com/entry/2012-04-14T01_18_42-07_00The Grand Classic Sounds of New York (Qool DJ Marv's Director's Cut)
November 16, 2010 08:09 PM PST
I love those classic New York movies that have scenes where someone’s keeping their night going by heading to a friend’s afterparty and when they walk in, there’s a mini-jazz orchestra providing the grooves. This is happening in someone’s apartment! The bandleader with the baton bopping with a welcoming smile.
I’ve never had the pleasure but I recently read in Stanley Crouch collection of essays called Considering Genius that Wynton Marsalis gets down like that for real, presently. This is an I Love New York mix that I got commissioned to compile by a special events consultant extraordinaire (Bowen & Company) that was organizing an affair involving the unveiling of a new Trump Tower penthouse suite.
A nice new place was on display and my job here was to give the room a classic and grand sound. I’ve got a real soft spot for singers like Ella Fitzgerald and Frank Sinatra and for jazz in general so this was one of those ‘they pay me to do this(?)’ kind of assignments. http://www.bowenandco.com/
I didn’t get the chance to see the place so I just imagined being on the top of the Empire State building and looking around or re-imagined walking around great neighborhoods all over New York City. Watched some movies like Cotton Club, Harlem Nights, Breakfast At Tiffany's, and Manhattan and imagined what it might be like to be a jazz loving socialite way back when.
This is a city that never ceases to astound and I wish I was around to see performances of all these sounds. Play these songs however, and I feel like I’m right there, then. So glad that I’m right here, now. I do love New York and I hope that this is a keepsake to us proper or former New Yorkers and maybe a delectable enticement to those who want to visit New York proper.
Some titles appear more than once because all the versions are outstanding, yet, performed completely differently. That's Jazz. Enjoy New York City on the Jazz hand side.
Billy Joel - New York State Of Mind
May 16, 2015 04:54 PM PDT
Qool DJ Marv Live at the Premiere Party for the HBO Film: Bessie - featuring Queen Latifah as Bessie Smith | April 29 2015 at the Edison Ballroom in Times Square in New York City
Thank you HBO!
Baltimore - Lianne La Havas
Real Jazz musicians play, excellently!
A Night In New York - Elbow Bones & The Racketeers
June 09, 2014 08:26 PM PDT
Soft, Rocks! v4
((((Beautiful : Magical))))
There's A World - Neil Young
Soft, Rocks! v4 is the sequel to:
There is a method to the magic in the way Qool DJ Marv presents and plays music. He tunes into the atmosphere of the venue and the energy of the people, and then he blends what he sees with what he hears. Intertwining many styles for many faces from many places, Qool DJ Marv captivates you with his blend. The fluid flow and continuously ascending momentum of his wide-ranging sets is inviting, hypnotic, and breathtaking. Qool DJ Marv crafts an unforgettable feel good, get down party where everyone in the room will hear something that they enjoy. It’s as if he knew you were coming.
FRIDAYS | Bar Six
Qool DJ Marv spins vinyl on Fridays at Bar Six in Manhattan's West Village.
SATURDAYS | Bar Room
Marv plays it cool at the Bar Room near Central Park on the Upper Eastside
TUESDAYS | Soho House
29-35 9th Ave, New York, NY 10014
Time: 7pm-12 midnight
Qool DJ Marv has been inspiring, enlightening and exciting music lovers and dancers for 25 years. He keeps a low profile on purpose because he prefers being heard and not seen. Although he has played for many famous people, he loves living a life where, once the party is over, he literally blends back in to a modest everyday life, recognized by no one...except those with discerning ears.
Marv loves music. His pursuits to share his affinity for celebratory music that enlivens, emboldens and inspires is his motivation. His first goal when he began to DJ was to make a mixed cassette tape that would be enjoyed so much that people would copy it for their friends and encourage them to listen to it. Caring nothing about earning cash, at first, Marv just wanted to be heard and shared.
Marv's earnest approach to DJing included respecting the craft and developing his skill so that he would be heard and regarded as a 'real DJ' (based on old-school definitions: Seamless mixing of his great record/music collection, flow and ability to read crowds). Marv's attention to performance detail combined with an open mind about including off-chart music in his repertoire caught the attention of a few major players in the music, fashion and television industry.
In 1995, Terry Lewis (of Jimmy Jam and Terry Lewis) gave Marv, who was employee of his Perspective Records label, the chance to play a warm up set at a venue called Tramps for the band Mint Condition. The owner of Tramps approached Marv about being the opening DJ for shows that featured 'urban' music and Marv got to open for artists ranging from Erykah Badu to George Clinton & Parliament Funkadelic to the Fugees, A Tribe Called Quest, The Roots, Chic, Rick James and Outkast.
Marv solidified his status as the in-house DJ for Tramps and that led to an opportunity to work on a legendary night that would introduce him to many elites in the entertainment industries. Prince had a show at Madison Square Garden and he'd set up an after party and jam session to take place at Tramps and Marv was there to keep the crowd happy while they waited a couple of hours for Prince to arrive. In the crowd was a vice-president at Viacom who connected with Marv, and soon, Marv was playing at events for MTV, VH1 and Nickelodeon.
Since Marv essentially leapfrogged the club scene and found favor in New York's special events industry, Marv never pursued gigs at large and popular clubs. Since Marv didn't feel good about being part of bottle service club scenes where people paid as much as they would to take a vacation, for one night out - Marv chose to play at modestly sized but beautifully intimate venues where he could include and play diverse sets of music that went way beyond the hits.
From the mid to late 90s until present, Marv has had a presence at "those-who-know" hot spots like Bar Six (West Village), Ludlow Bar (Lower East Side), Izzy Bar (East Village), Table 50 (NoHo), APT & Soho House (Meatpacking District) and Red Rooster (Harlem). Marv's style and approach at all of those cool places continually created more opportunities, some of which got Marv to Hollywood and around the world.
A smart man (college degree from Emory in Atlanta and Master's degree from Columbia in New York), Marv realized that many entertainment industry people, with decision making power, preferred 'cooler' and less crowded places to hang because they could still communicate and do business. Those with that power also usually had an experience driven refined discernment regarding who they perceived as gifted. Marv realized that in less hectic environments, he had more of a chance to be heard doing what he does best - bringing it all together.
Bringing it all together, with a universal vibe and a smile as wide as the universe, Marv became an attractive DJ to hire when organizations felt the need to "change it up." Marv's confidence is born out of an ear for good music, which includes more than popular music, so those who gave him a chance would get a nice dose of refreshing sounds along with the all time classics and contemporary hits. This approach, galvanized by great technical skills and greater personable skills, got Marv gigs with the NBA, Major League Baseball, NBC, Showtime and HBO.
Since 1998, Marv has done more than 50 events for HBO, in and outside of New York, for nearly every major series. The casts and crews of the Sopranos, Sex in the City, Oz, The Wire, Entourage, Treme, Boardwalk Empire and Game of Thrones have all enjoyed the Marv vibe. Marv has also done 7 of HBO's Emmy parties and 2 Golden Globe parties.
Globally (remember Marv's original DJ quest, make a great mix?), Marv, starting in 1998, has been to Berlin, Manchester, London, Paris, Glasgow, Edinburgh, Oslo, Barcelona, Dublin, Abu Dhabi, Dubai, Moscow, Croatia, Acapulco, Jamaica and the Bahamas. All of this was possible because Marv's mixtapes got heard, loved, copied and spread throughout the world. Around the United States, Marv has played private events or nightclub venues in many of America's top cities including Miami, Las Vegas, San Francisco, Dallas, Boston, Chicago, Washington D.C., Charlotte and Atlanta.
Currently, Marv still DJs 4 times weekly in New York City, including twice a week at the exclusive Soho House. Marv also hosts a 2 hour radio show, every Wednesday night on Philadelphia's WURD. Marv welcomes anybody and everybody to download his mixes, medleys and compilations on his ad-free website:
For booking in New York or the U.S., contact Marvin Coleman at firstname.lastname@example.org
For booking outside of the U.S., contact Andrea Ahimie-Carthy at email@example.com
Curious: All at the same time you've seamlessly built a worldwide underground following, you are considered one of New York’s best eclectic vibe lounge DJs, and you’re the DJ that HBO hires when they want their special events to have a special themed sound. Without being overtly mainstream or particularly well connected, how have you managed to maintain and extend your career?
MARV: My idealistic drive to share music that I’ve discovered has become a vehicle to earn more opportunities to keep playing or working with music. I first DJ’ed at Emory University in 1989 but in the mid-90s I began producing cassette mixtapes of off-the-radar music for my friends (mainstream music listeners who heard most new music on the radio). I interned at a commercial radio station in Philadelphia and learned that carefully calibrated radio formats were less about music and more about ads. Realizing that a lot of radio-worthy music that I was buying wasn’t making it to the airwaves, I made tapes to fill the gap amongst my peers. Encouraged by positive feedback and a want for more of my way to mix, I kept going…I keep going.
I went out to hear the best in Philly and in New York City and never forgot the way they did what they did and how the crowds responded. Honing in on subtlety and skillful application of mixing techniques, I simply wanted to be on their level by way of earnest listening and practice. In 23 years I have recorded more than 400 mixes including live sets and home studio concepts and from day one, my way to play and my sound has been travelling.
In other words, to answer your question succinctly: I’m sincerely gifted with an ear for the all time, bandwagon cash-in trend adverse, and tirelessly committed to opening ears and minds while moving butts. No worries, I do enjoy playing pop too, but I always wanted to have a chance to play all music because I truly do love all music and the truth is that the ‘hot’ DJ of those pop scenes, always gets cold.
Cool calm collected and mellow kind of fellow.
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